De Wilde's photos have appeared on the cover of Spin magazine and in the pages of Rolling Stone, Los Angeles Times, Entertainment Weekly, and The New York Times. ![]() De Wilde's live concert documentary work includes the Flaming Lips, Spoon, and the Arcade Fire. Her portrait subjects include Willie Nelson, Sean Watkins, and Wolfmother. Touch device users, explore by touch or with swipe gestures. When autocomplete results are available use up and down arrows to review and enter to select. Serendipity + Elliott Smith by Autumn de Wilde. In addition, she has directed music videos for Elliott Smith, Spoon, and Death Cab for Cutie. Serendipity + Elliott Smith by Autumn de Wilde. Autumn de Wilde had no formal education in photography, but learned photography from her father.ĭe Wilde has photographed CD covers for Jenny Lewis with the Watson Twins, The Raconteurs, The White Stripes, Fiona Apple, Beck, Built to Spill, and a number of other musicians. + Vogue and Focus Features Celebrate Emma. Her father, Jerry de Wilde, was an art and commercial photographer noted for his photos of Jimi Hendrix, the Monterey Pop Festival and other icons of the 1960s. LOS ANGELES, CALIFORNIA - FEBRUARY 18: (L-R) Anya Taylor-Joy, Autumn de Wilde and Bill Nighy at. That, I think, is the key.” Rose was also one of the first photographers to document the rare perspective of models and designers behind the curtains of Fashion Week, as shown in her first book, Birds of Paradise: An Intimate View of the New York Fashion World.Autumn de Wilde is an American photographer noted for her portraiture and commercial work photography of indie musicians.ĭe Wilde was born in Woodstock, New York. ![]() “So, you see from that picture, they’re not engaged with me. But it’s not only the subjects that make her images iconic there is an authenticity to them that sets them apart: “I would just be walking throughout the club, when I wasn’t dancing or chatting with somebody, and I would look up…and I would see something like this.” Moving through her apartment as she speaks, Rose stops in front of an image of Jerry Hall conversing with world-renowned Vogue editor, Diana Vreeland. With some of society’s most famous people as her muse, it’s easy to see why Rose’s photographs stand the test of time. But the males were very, in general – not great gentlemen. They never did anything physical to me, but I do recall that several young female photographers were thrown to the ground, etc. “Well, clearly there were really very few of us, and the men, in general, were very tough. We asked Rose to tell us a little bit about what it was like to be a female photographer back then, and why her images remain relevant and iconic. Behind the camera of many of the famed photographs was the tenacious and legendary photographer Rose Hartman intrepid partygoer and self-proclaimed social historian who managed to capture some of the most intimate moments between the world’s most celebrated personalities behind the scenes. The Costume Institute tapped nine film directors Autumn de Wilde, Regina King, Radha Blank, Chloé Zhao, Tom Ford, Julie Dash, Janicza Bravo, Sofia Coppola and Martin Scorsese to create. It takes its name from an iconic photo of Jim Morrison and The. The Morrison Hotel Gallery is a partnership between former record company marketing executive Peter Blachley music retailer Richard Horowitz and iconic music photographer and musician Henry Diltz. Known for its lavish celebrity disco parties in the late 1970s, Studio 54 became a symbol of the NYC elite, and many of the images-such as Bianca Jagger on the white horse- were as notorious as the club that inspired them. Photographs from 90 of the world’s finest music photographers are represented. PHOTO CREDIT: Rose Hartman / The Artists Company ![]() ![]() This iconic photo was taken by Rose Hartman, subject of Otis Mass’ documentary The Incomparable Rose Hartman, screening at the 2016 Bentonville Film Festival. Bianca Jagger on a white horse that happened to be inside Studio 54 on her birthday in 1977.
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